"Intersectionality and the Canon of Romanticism" by Serenah Minasian

Graduation Term

Spring 2025

Degree Name

Doctor of Philosophy (PhD)

Department

Department of English

Committee Chair

Brian Rejack

Committee Member

Katherine Ellison

Committee Member

K. Aaron Smith

Abstract

This dissertation discusses the origins of the canon and the place it has in British Romanticism studies both past and present. This research begins unpacking what has already been done in this sector of study and takes it steps further by the use of Crenshaw’s “intersectionality” theory. The “Introduction” unpacks past scholarly work and its role in the present studies and how we must move beyond the past. “Chapter I” serves as a historical breakdown of the canon’s role and impact in both literary studies and Romanticism studies in specific. “Chapter II” provides an in depth analysis of two major anthologies in British literature and their current and past usage in the classroom. “Chapter III” moves beyond the canonical identities and proves that there are many sectors of Romantic studies that must be discussed in order to achieve an inclusive and equitable Romanticism. “Chapter IV” unpacks my Romanticism course taught using a noncanonical approach and various pedagogical methods used to ensure progression in pedagogy. The “Conclusion” provides a full circle view of how intersectionality provides a portal of accessibility in Romanticism studies and provides resources to promote equitable and inclusive pedagogy.

Access Type

Dissertation-Open Access

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