This dissertation is accessible only to the Illinois State University community.

  • Off-Campus ISU Users: To download this item, click the "Off-Campus Download" button below. You will be prompted to log in with your ISU ULID and password.
  • Non-ISU Users: Contact your library to request this item through interlibrary loan.

Graduation Term

2015

Degree Name

Master of Arts (MA)

Department

School of Art

Committee Chair

Elisabeth Friedman

Abstract

This thesis investigates the work of artists Lalla Essaydi, Shirin Neshat, and Shadi Ghadirian. Each artist engages in different ways with the complex histories of Orientalist discourses of representation. This includes the fetishization of the female subject and practices of veiling. Photography is the main vehicle by which the artists interrogate problematic Western ideologies and open up new spaces to think about the West's continuing colonial investments in the Middle East. Through the use of visually stunning imagery directly referencing Orientalist representations of the nineteenth century, the artists create an ambiguous space from which the viewer must negotiate and engage with these histories.

Access Type

Thesis-ISU Access Only

DOI

http://doi.org/10.30707/ETD2015.Smith.E

Off-Campus Download

Share

COinS