Nineteenth-Century Music Review
This review-essay chronicles nineteenth-century music specialist Nicholas Temperley's discovery of the obscure score and the long road to the present recording by Retrospect Opera, which navigates Loder's composition of Raymond and Agnes in spite of the puzzling complexities of Edward Fitzball's libretto.
This article was published Open Access thanks to a transformative agreement between Milner Library and Cambridge University Press.
Vickers, Justin, "Nicholas Temperley, Edward Loder, and Retrospect Opera's Raymond and Agnes" (2022). Faculty Publications - Music. 35.
This article was published in Nineteenth-Century Music Review 19, no. 1 (April 2022): 127-37. DOI: https://doi.org/10.1017/S1479409821000355.