Regulating Sadness: Response-Independent and Response-Dependent Benefits of Listening to Music
Document Type
Article
Publication Date
10-25-2021
Abstract
Listening to music is a common method of regulating unpleasant emotions such as sadness, but music listening has not been compared to prototypical interpersonal emotion-regulation strategies. We examined music’s response-independent benefits (i.e., benefits that do not require a response from another person) and response-dependent benefits (i.e., benefits that do require a response from another person) and compared those to other regulation strategies such as talking to a friend and asking someone for advice. College students (N = 353) completed an online survey in which they rated their likelihood of using eight different strategies to regulate sadness and the benefits of using each strategy. Repeated-measures ANOVAs revealed listening to music was the most likely strategy used when sad. Moreover, listening to music provided the most response-independent benefits of any strategy we examined, including talking to a friend and asking someone for advice. Talking to a friend provided more interpersonal support than listening to music did, but listening to music did not provide any less of a shared experience than talking to a friend or asking someone for advice. These findings suggest that listening to music shares much in common with interpersonal emotion-regulation strategies such as talking with other people when sad.
Recommended Citation
Kahn, Jeffrey H.; Ladd, Kendall; Feltner-Williams, Destiny A.; Martin, Amanda M.; and White, Brooke L., "Regulating Sadness: Response-Independent and Response-Dependent Benefits of Listening to Music" (2021). Faculty Publications – Psychology. 87.
https://ir.library.illinoisstate.edu/fppsych/87
Comments
These article was originally published as Kahn, J. H., Ladd, K., Feltner-Williams, D. A., Martin, A. M., & White, B. L. (2022). Regulating sadness: Response-independent and response-dependent benefits of listening to music. Psychology of Music, 50(4), 1348–1361. https://doi.org/10.1177/03057356211048545.