Graduation Term

2023

Degree Name

Master of Science (MS)

Department

School of Theatre and Dance: Theatre

Committee Chair

Kee-Yoon Nahm

Abstract

The aims for this thesis are to further investigate the show’s use of Tony’s psychotherapy as a narrative device in building the relationship between the work of art and the spectator. This device, I argue, possesses a Brechtian character: it not only breaks up the narrative action, but it also comments upon it. Most importantly, this device grounds spectators in a psychoanalytic outlook which enables the spectator to analyze the show’s central anti-hero, interpret the series of events around him, as well as the criticize the American climate he is a symbol for. I advance the thesis that The Sopranos, in setting up a Brechtian structure of spectatorship with its audience, raised psychoanalysis into a public philosophy.

Access Type

Thesis-Open Access

DOI

https://doi.org/10.30707/ETD2023.20231004061827648654.999993

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