Document Type

Article

Publication Title

Notes

Publication Date

6-2022

Keywords

Alma Mahler, cataloging, library catalogs, musicology, archives, information literacy, ACRL Framework, authorship

Abstract

This cautionary tale outlines how a librarian with an understanding of and respect for cataloging processes was the perfect candidate to be duped by a false attribution in a bibliographic record. In the process of compiling a list of compositions attributed to Alma Mahler for my dissertation, I encountered a handful of works not yet addressed in the scholarship on her compositional work. Despite numerous red flags, and much to my detriment, I invested a great deal in one of these unqualified and unsubstantiated attributions that turned out to be false. In the wake of this false attribution, I have had to come to terms with how my professional identity as librarian has worked to my advantage and detriment as a researcher. I leverage the ACRL frames “Authority is Constructed and Contextual” and “Scholarship as Conversation” to explore this tension.

Comments

This article was published in the Music Library Association’s journal, Notes 78, no. 4 (June 2022): 518-537. The version of record is available at https://doi.org/10.1353/ not.2022.0041. This material may not be copied or reposted without written permission of MLA.

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